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Polysix
analog synthesizer
The Korg Polysix was the first "proper" synthesizer to break the barrier of
$1,000 retail - and yes, back in 1981-1982 it was a big deal! A far cry from today's free downloadable synths
and plugins on the Internet!
The Polysix was the first analog synthesizer I
bought. I was really looking for something with two oscillators, because I knew
that to get "that fat analog sound" you need to have two oscillators slightly detuned apart
from each other,
but when I heard the Polysix, I didn't care about that theory anymore!
Yes, the Polysix can sound big, lush, and especially classy.
This synth is also one of the first to have on-board effects (chorus, phaser,
ensemble), years before the D-50 came along.
One of the things that sold me on the Polysix was
its filter (based on the classic SSM chips). I was
able to program a beautiful synth-pad starting from a simple waveform ,and
acting on the cutoff knob - adding the finishing touch with the ensemble effect.
At the apartment of the man I bought it from, I had created in a couple of minutes
the sound I was looking for: the warm analog synth-pad. I was
happy, paid the guy, and went home to test it with the rest of my gear (at the
time, a Roland D-50 and a
Casio CZ-1000).
At home, I discovered another great feature of the Polysix that I didn't even
notice at the seller's apartment: the arpeggiator: talk about new-age, Tangerine Dream, Klaus Schulze, Ash-Ra Tempel... with
this arpeggiator I could even play Giorgio Moroder :-)
A favorite pastime of mine was to set a hypnotic arpeggio
pattern, then open & close the filter and tweak the resonance very slowly. I was
able to reach nirvana playing a flute melody on the D-50, and bass on the
CZ-1000, while the arpeggiator worked its magic - I would play
for hours, just letting the arpeggiator go, changing notes, and recording the
results in my trusty VestaFire 4-track cassette recorder.
Korg PolySix audio demos in .mp3
Stream all Bank A audio examples
Stream all Bank B audio examples
Preset
name with audio demo |
My comments |
PolySix Factory Presets
- Bank A |
A-1 Brass |
Solid, fat, analog brass. |
A-2 Strings |
BEAUTY. These
are perfect analog strings. There's only one VCO per voice on the
Polysix, but the on-board Ensemble effect helps immensely achieve the
effect of two oscillators per voice being slightly detuned, in the best
early '80s polysynth tradition. |
A-3 Electric Piano 1 |
Very good Rhodes sound... with tremolo.
Classy, evolving, interesting texture... |
A-4 Clavi |
Aggressive and totally analog
Clavinet sound. |
A-5 Acoustic Piano |
Back in 1981, a piano sound
didn't get much better than this from a budget synthesizer. |
A-6 Organ 1 |
Warm-sounding Hammond - very nice. |
A-7 Moon Sound |
A beautiful, hypnotic
and particular synthesizer sound! The analog VCOs and VCFs come
across in this one. |
A-8 Vibes |
Excellent rendition of a vibraphone,
complete with tremolo. |
B-1 Synthe Organ |
Cool phased organ |
B-2 Hi(gh) Strings |
Surprisingly realistic marcato strings! |
B-3 Fat Solo Sound |
In this sound, I play the first part in
Poly Mode, and then switch to Unison Mode at 00:27. Note the
difference in sound!!! This is the sound of six oscillators being
stacked. |
B-4 Saxophone |
Interesting retro sound. |
B-5 Flute |
Warm flute sound. |
B-6 Trombone |
Killer emulation! Down to the
"growl" achieved with a very fast vibrato setting, delayed. |
B-7 Guitar |
Very cool acoustic/classical guitar. |
B-8 Honky Tonk Piano |
The Far West saloon is down that way. |
C-1 Lead Sound |
Again I start in Poly Mode, and then
switch to Unison. The Polysix is a powerful and expressive
machine!!! |
C-2 Fat Bass |
Reminds me of the ARP Odyssey.
Nice! |
C-3 Reggae Sound |
Full and fat synth. |
C-4 Banjo |
Yee-hah! |
C-5 Electric Piano 2 |
Wurlitzer variation. |
C-6 Filtered Clavi |
Ok. |
C-7 New Wave Organ |
In the early '80s, when the Polysix was
produced, the Farfisa sound came back in fashion, thanks to the New Wave
- and artists like Elvis Costello, the B-52's, Blondie etc. |
C-8 Jazz Guitar |
Incredible preset. Warm,
jazzy, expressive... very, very nice jazz guitar sound. |
D-1 Unison Solo Low |
Cool, strange sound.
Again switching
from Poly to Unison. |
D-2 Unison Solo High |
Nasal, weird. Poly to
Unison. |
D-3 Organ 2 |
Intimate Hammond sound. |
D-4 Chime with Chord Memory |
Very nice bell sound. I engage the
Chord Memory function after a few seconds. |
D-5 Sound Fall |
Cool sound FX - Sci-Fi. |
D-6 Thin Sound |
Very '80s! |
D-7 'Touch' Sound |
Interesting envelope setting - sound
changes whether if you keep the keys pressed or release them right after hitting
them. |
D-8 Kim Carne's Sound |
Dulcis in fundo - easily one of the
best preset sounds on the Polysix. I'm assuming the programmer meant
to emulate the sound in Kim Carne's "Bette Davis' Eyes". This
sound is simply fat, full, analog, and plain beautiful. |
PolySix Factory Presets
- Bank B |
A-1 Brass Ensemble |
Analog, '80s synth brass type sound |
A-2 Mellow Brass |
Great chorused brass sound. |
A-3 Oboe |
Sounds also like a clarinet... |
A-4 Flute |
Spacey flute sound... ethereal and
nice. |
A-5 Strings Orchestra |
Outstanding, super-analog synth
string ensemble!!! Notice how warm this sound is... the
consistency of the sound, the VCO analog waveform... A+. |
A-6 Solo Violin |
Well-programmed violin sound, with nice
vibrato effect. |
A-7 Bowing Strings |
Classic bowed string ensemble sound -
very realistic actually. |
A-8 Koto |
Hear in this example the PWM on
the PolySix... these are analog VCOs at work. |
B-1 Electric Piano |
Mysterious, classy electric piano sound |
B-2 Organ (Slow) |
Nice Hammond sound with slow Leslie... is
it a coincidence that this and the following "B-3" are in this number
slot? ;-) |
B-3 Organ (Fast) |
Same as above, with faster Leslie effect. |
B-4 Harpsicord |
Very nicely reproduced harpsichord sound. |
B-5 Clavi |
Typical analog Clavinet type of sound. |
B-6 Chorus (Female) |
Beautiful, haunting women choir.
Lots of resonance to achieve this sound. |
B-7 Chorus (Male) |
Similar to the above - men's turn. |
B-8 Steam Pipe Organ |
Deliciously out-of-tune Calliope sound. |
C-1 Synthe 1 |
Powerful!!! The VCF on the
PolySix is first class. The
Synthe was actually an
early Korg synthesizer. |
C-2 Synthe 2 |
Nice phased synthesizer comp sound. |
C-3 Synthe 3 |
Happy synth sound! |
C-4 Slow Attack Wah-Wah |
Typical late '70s/early '80s Reso-Pad,
with slow rising filter opening. |
C-5 Synthe Bass |
Awesome synth bass!!! Feel
the bite of this sound. There is an ARP Odyssey quality about
it. |
C-6 Synthe 4 |
Interesting spacey effect - great
for free jazz experimentation. |
C-7 Oriental Sound |
The heavy vibrato makes it different and
interesting. |
C-8 Synthe Harp |
Beautiful, sweet synthesizer plucked
sound... perfect for New Age, Synth Pop, and why not, Christmas music. |
D-1 Whistle |
Realistic and unique. |
D-2 Sound Effect 1 |
Forbidden Planet-style robot sound. |
D-3 Gambang |
The Gambang is a Malaysian instrument,
similar to a vibraphone. This synth variant is just great,
hypnotic and evolving. |
D-4 Sound Effect 2 |
Spaceship landing. |
D-5 Sound Effect 3 |
Spaceships taking off. |
D-6 Cave Echo |
Beautiful rendition of playing an
instrument in a cave. |
D-7 Sound Effect 4 |
Laser gun charging. |
D-8 Sound Effect 5 |
Programming the spaceship navigational
computer. |
PolySix tweaks -
a few other sounds that can be created with this synth |
Filtered Arpeggio |
The arpeggiator is a great feature of
this synthesizer. Crank up the filter resonance, set the VCF EG
Intensity to negative, act on the ADSR settings and the cutoff knob.
Record the result and add massive doses of quality reverb = Kosmische Musik. |
Filtered Mega-Pad |
Now, is the Polysix a fat synthesizer or
what? |
The secret of PWM |
Pulse Width Modulation
achieves the desirable detune effect... very "classic Techno" |
I want to be lucky |
Great sound for Emerson,
Lake & Palmer's famous tune. Unfortunately, though,
there's no portamento on the Polysix. |
Phased LFOs |
Hypnotic |
Playing with effects |
The three modes... Chorus, Phase, and
Ensemble... = Analog |
Lara Croft's Arpeggio |
Happy arpeggios |
Korg PolySix pictures
(click on thumbnails to enlarge them)
Korg PolySix manuals
Manual:
Korg PolySix owner's manual.pdf from
www.vintagesynth.com
Patch charts:
http://www.synth.clara.net/polysixcharts.htm
Features
- fully analog, VCO-based architecture;
- on-board effects;
- easy to use - one knob per function;
- very thick and warm sounds;
- excellent arpeggiator
The "Song made only with this instrument" trial: _________ The
Polysix
Resources:
- Review in "Keyboard magazine"
Janfebmarch 198___
Features at a
glance |
Year of release: |
1981 |
Sound generation method: |
Analog (VCO) |
Polyphony: |
6-voice |
Presets: |
4 banks of 8 (32) |
Keyboard: |
61-key (5 octaves) |
Responds to velocity: |
no |
Aftertouch |
no |
MIDI: |
no |
Sound expansion capabilities: |
no |
Sequencer: |
no |
Arpeggiator: |
yes, Range: Full, 2 Oct, 1 Oct; Mode: Up,
Down, Up/Down |
Effects: |
Chorus, Phase, Ensemble |
Controls: |
Knobs and switches; Bend and Mod wheels (bend
wheel is not spring-loaded, like Minimoog) |
Outputs: |
mono |
Weight and measurements: |
11.5 Kg |
Other controls: |
phones out; VCF fcM IN, Arpeggio trig in,
Chord Memory, Tape interface, Unison, Hold |
Links
SITE |
Type of resource |
DESCRIPTION |
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