VZ-10M
Professional digital synthesizer module
Different-sounding. This is what I think when I play and listen to this synthesizer.
A very powerful synthesizer module, classy and thoroughly professional. This is the rack version of the VZ-1 iPD synthesizer. Casio perfected the PD synthesis found in the CZ series, and the result offers impressive sounds. The character is very aggressive, digital, industrial, and powerful - similar to Yamaha's FM synthesis, but with a different, more aggressive character. Starting from a simple, pure sine wave (or different waveform), you can build very complex sounds. The on-board waveforms are among the purest I've ever heard on a synth.
I don't think this line of synthesizers was ever very popular (and in fact after that Casio pulled back from the professional market, going back to the home market). Which is a pity, because certainly the professional qualities of an instrument like this shouldn't be forgotten. Bottom line: because of the powerful editing tools, this is a synth for "tweakers" and programmers.
INTERNAL FACTORY PRESETS:
Preset name with audio demo | My comments |
A-1 SEE GOD | Outstanding. A beautiful, haunting, complex synthesizer pad. Great programming job, here. |
A-2 SEE GOD 2 | More of the above, this time in a gentler, string-based vein. |
A-3 VIB-STR SOFT | Delicate, crystalline and mysterious vibraphone on a string-pad bed. |
A-4 ICE AGE | Nice! Vaguely Asian-sounding, a delicious amalgam of plucked, pizzicato and flute sounds! |
A-5 BRASS CHORUS | Solid and analog-sounding muted brass pad. |
A-6 BRASS QUART | Brass quartet. Very strong sound, reminds of the DX7. |
A-7 COPPERFUNK | Cool brass hits in stereo. |
A-8 BS-GTNO-RICH | Interesting split, with bass on the left and piano/strings on the right. |
B-1 SOFT ORCHEST | Cute carousel music with this great preset! |
B-2 MELLOW PAD | Sweet string pad. |
B-3 PEACE TREATY | Note the power of iPD here: lots of different sounds, in one patch. |
B-4 EP-CINEMA | Electric Piano sound suitable for soundtrack scoring. |
B-5 EP-SERENE | Relaxed, gentle Rhodes sound, with a pad on the right channel. |
B-6 FOOT VIBIANO | Is the name a contraption between "vibes" and "piano"? Why foot? |
B-7 PIANO-LOCH | What does Loch mean? |
B-8 DIGIVOICES | Eerie, digital and crisp hollow synthesizer voices. Very nice preset. |
C-1 VZ EP | Typical FM-style electric piano, with plenty of gloss. |
C-2 AMBIENT EP | Fantastic preset! Very hypnotic e. piano. |
C-3 VZ PIANO | FM-style variant. |
C-4 AMBIENT EP 2 | This sounds very '80s to me - think Howard Jones for example. |
C-5 EPHONE | Cool plucked synth, but the name?? |
C-6 12 STRING | Emulation of a 12-string guitar - ok. |
C-7 DOUBLEGUITAR | Another guitar sound. |
C-8 FESTIVE BELL | Bells with nice echo trail, well programmed sound. |
D-1 VIOLINT ATCK | Violins with a marcato attack. |
D-2 HORN-STRINGS | Horn and string mix. |
D-3 STRONG ORCH | A full orchestra emulation. |
D-4 SYNTH ORCH | Same as above. |
D-5 BRASS QUART2 | Another brass quartet, powerful. |
D-6 BIG BLAST | Trumpets and trombones |
D-7 BRASS DETUNE | Cool! Synthy version of a brass ensemble, very Emerson, Lake & Palmer! |
D-8 BRASS DETUN2 | Variation of above. |
E-1 GITIANO | COOL preset!! A cross between e. piano and e. guitar, switched by velocity.. awesome programming job. |
E-2 VZ VIBES | Beautiful!!!!!!!! This is perfect for soundtrack work!! A sad, melancholic vibraphone sound, complete with haunting tremolo and sparkly overtones. |
E-3 WARM ORGAN | Typical Hammond sound. |
E-4 SLAP BASS | Very good recreation of the slapped bass sound. |
E-5 PICK BASS | Nice bass emulation!! Very '60s "rickenbacker" effect. |
E-6 FRETLESS BS | Jaco Pastorius in a box |
E-7 HEADBANGER | Heavy guitar emulation. |
E-8 HEAVY METAL | Same as above. |
F-1 CC LEAD | Continuous Controller lead. VERY mid-late '80s Chick Corea. |
F-2 YES I GOT | Another very nice synth lead sound. |
F-3 VZ SOLO LEAD | Variation of the above. |
F-4 VZ PERC PAD | Just what it says. Note the "sizzle" of the iPD synthesis! |
F-5 ELEC FLUTE | Fusion sound. |
F-6 TAKE A | Cool jazz sound. |
F-7 NEW RAGE | Play of words around the "New Age" term, which was born (and very popular) around the time this synth was produced. |
F-8 NEW RAGE 2 | Variation of the above, with a more "woody" quality. |
G-1 HEAVY SPLIT | Very cool heavy guitar combo! |
G-2 FUNKY TOWN | Typical Funk setup, with e. piano and brass. |
G-3 MELLOW SPLIT | Gentle pad + lead. |
G-4 STRING-FLUTE | Classical split - |
G-5 ETHVELOSPLIT | Ethnic velocity split? Very interesting sound, with a tremolo synth and a lead. |
G-6 BASS-EP | Nice sound! Cool split with electric bass and electric piano. |
G-7 BASS-VIBES | Ac. bass and vibraphone. Nice! |
G-8 BS-VBNO-SRNE | What does the title of this patch mean -besides "bass"?? |
H-1 ORCH SPLIT F | Forte orchestra split |
H-2 ORCH SPLIT P | Piano orchestra split |
H-3 NEWAGE POS-X | Nice string pad. |
H-4 SERENE AGE | Interesting and spiky sound toys. |
H-5 BEAUTY-BEAST | Velocity-switch based. Interesting concept. Easy to spot who's Beauty and who the Beast |
H-6 VELOMONICA | Harmonica sound with plenty of expressiveness. |
H-7 TRUMPOCITY | More brass |
H-8 HARP ROLL | Another dulcis in fundo - very well programmed harp sound. |
VZ ROM CARD (1):
Preset name with audio demo | My comments |
A-1 BEGINNING | Full, sparkly synth |
A-2 SOFT ORCH 2 | Awesome programming! A medieval-sounding orchestra |
A-3 ICE HORNS | Analog pad |
A-4 RICH ORCHEST | More orchestral pads. |
A-5 PASTORALE | gentle, muted pad. |
A-6 VOCAL BELLS | Very interesting sound: vox mixed with bells. |
A-7 SABBATICAL | Spiky synth |
A-8 TWINKY | Awesome pad! |
B-1 POWER SPLIT | Two distorted guitars. |
B-2 MAX.S LAIR | '70s, progressive-style synth. |
B-3 FUNKATTACK | Synth bass + solosynth. |
B-4 FLUTE/STRING | Yep. |
B-5 PLUCKAHORNS | Muted brass |
B-6 GHOSTLYVOICE | Great patch with an eerie sound. |
B-7 CHAMBERGROUP | Sweet pad. |
B-8 DIGIVOICES 2 | Ghostly like. |
C-1 ACOUSTAR | Cross between acoustic guitar and sitar? |
C-2 12 STRING 2 | variation |
C-3 12 STRING 3 | another variation |
C-4 DYN VZ PIANO | Excellent, expressive electric piano. |
C-5 AMBIENT EP 3 | glassy |
C-6 TOY PIANO | Excellent emulation, like hitting on glass bells. |
C-7 DELAY VIBES | Atmosphere vibes. |
C-8 OCTAVE MALLET | Yep |
D-1 STR ENSEMBLE | yep. |
D-2 STR QUARTET | Solid and warm string quartet. |
D-3 SWIRLING STR | Beautiful moving pad. |
D-4 HORN/STRNGS2 | more of the same |
D-5 MASSIVE ORCH | Nice and full |
D-6 BIG STRINGS | similar to the above. |
D-7 STEREO BRASS | chorused. |
D-8 JAZZ BRASS | full and brassy. |
E-1 PEACEFUL | another e. piano |
E-2 GEN PURPOSE | yawn... |
E-3 ORIENTAL | some ethnic instruments. |
E-4 GAMELAN BELZ | cool |
E-5 OVERSEAS | pad |
E-6 RECORDERS | Nice, with echo |
E-7 PIPEONMONDAY | "All-out" church organ. |
E-8 STEREO PIPE | Another cool organ sound. |
F-1 SAXY LEAD | Awesome for fusion! |
F-2 RING FLUTE | it's actually an e.piano! |
F-3 LIVE LEAD | Could it also be "Frog Voice" ;-) |
F-4 FATTY ANALOG | Awesome and brassy! |
F-5 ANALOGUE | Yep. |
F-6 FAT SYNCLEAD | mm.. |
F-7 VANUGENT 5TH | 5th synth. |
F-8 OH NO | Fuzzy synth |
G-1 BASS/SYNTH | Fantastic sound, very '80s! |
G-2 BASS/CLAVI | yep |
G-3 SUNDAY NOON | another organ + vox |
G-4 NICE SPLIT | pad + e. piano |
G-5 TXTURL SPL | textural split |
G-6 TXTURL SPL 2 | no.2 |
G-7 RADIOCITYMAX | brassy synth |
G-8 EASTERN SPLT | sitar + plucked sound |
H-1 VELOFLUTE | yep |
H-2 SAXOPHOCITY | yes |
H-3 BELLSTR/ROCK | okay |
H-4 PASTOR/CLAVI | again |
H-5 XFADE GTR/BS | cross-faded guitar and bass |
H-6 ETHNIC XF | cross fade with different percussive sounds on L and sitar on R |
H-7 SOUND OF FUN | Fun. |
H-8 EFFECTS | Racing cars and an obnoxious angry driver. |
VZ ROM CARD (2):
Preset name with audio demo | My comments |
A-1 FESTIVAL | Happy synthesizer/organ + bells = typical in the '80s |
A-2 MELLIFLUENCE | Awesome, WARM pad. |
A-3 BELL-STRINGS | Phased strings. |
A-4 BRASS-STRMIX | strings + bells. |
A-5 EMERALD BLUE | Highly hypnotic, and BEAUTIFUL sound! |
A-6 XMAS PIANO | Jingly. |
A-7 DIGITAL ORCH | Majestic. |
A-8 MALTED MILK | Percussive synth. |
B-1 BRASS EP | yep |
B-2 STRINGS EP | yes |
B-3 VOICE EP | nice EP with a choir |
B-4 CLAVI-BRASS | interesting mix. |
B-5 HAPS-STRINGS | ? |
B-6 EXTENSION | Awesome vector-like pad. |
B-7 MORNING | hollow pipe + synth |
B-8 CRYSTAL | yep |
C-1 BRIGHT EP | yes |
C-2 WARM EP | again |
C-3 MELLOW EP | one more |
C-4 DREAMY EP | ep |
C-5 DIGIPIANO | and another one! |
C-6 CHORUS PIANO | + chorus |
C-7 HONKY TONK | Super-detuned piano |
C-8 WILD CLAVI | Excellent Clavinet emulation. |
D-1 HIGH STRINGS | Very nice string emulation. |
D-2 STRINGS L-R | stereo |
D-3 STRINGS MIX | again |
D-4 ORCHESTRA | nice orchestra |
D-5 BRASTRINGS | yep |
D-6 BRASSMIX | yep |
D-7 BRASSMIX 2 | yep |
D-8 OVER BRASS X | with x-fade. |
E-1 HARD ORGAN | Great distorted Hammond sound, similar to Deep Purple's. |
E-2 BRIDAL ORGAN | Happy electric organ sound, good for a variety of styles. |
E-3 ORGAN | Cool Hammond sound, with percussion. |
E-4 MAZE | "Fluffy" pad. |
E-5 SYNTH BASS | Powerful! Deep, rubbery and analog-sounding synth bass. |
E-6 TOY BASS | Thinner version of above. |
E-7 FLANGE BASS | Just what it says. |
E-8 BASS MIX | More Bass. |
F-1 WOODEN SEQNC | nice bell sound. |
F-2 FUNK CLAVI | Spot on. |
F-3 BACKINGGR-BR | more brass. |
F-4 ETHNIC HARP | gentle harp. |
F-5 THE NEWS | bells |
F-6 BELLS | more bells |
F-7 VOICE ENS | vox pad |
F-8 FEMALE VOICE | typical synth-vox |
G-1 LEAD DELAYLR | Expertly programmed to simulate delay with the envelopes. |
G-2 LEAD UNI/5TH | The modulation wheel switches between unison and 5ths. Great. |
G-3 LEAD UNISON | Great solo synth. |
G-4 BASS/BRASS | Exactly. |
G-5 BASS/EP 2 | Yep |
G-6 DOUBLE BRASS | yes |
G-7 ORGAN MIX/SP | oh yes |
G-8 CLAVRINGS VS | The Velocity Switch brings in a string pad |
H-1 VELO PIANO | yep |
H-2 ST-EP VELSP | strike hard and get the brassy pad too. |
H-3 STARDUST VS | Very interesting combo sound |
H-4 ORIENT VS | Japanese instruments. |
H-5 PAVEMENT VS | synth |
H-6 MAKE MAJOR | Awesome, analog pad |
H-7 FEINT OF HIT | Orchestra hit |
H-8 SE 4 SPLIT | Arcade game fx |
Bottom line: Great for soundtracks, ambient, electronica.
Resources:
1
Amazing Synthesis Versatility Thanks to Casio's All-new iPD Sound Source
Casio's all-new "Interactive Phase Distortion" (iPD) sound source system
actually consists of 8 independent "modules" (M1 to M8). Each of these
modules contains a DCO and a DCA, and is capable of generating independent
waveforms. In the iPD system, the wave generated by any module can be used
in either of two ways; to produce audible sounds or to modify waves generated by
other modules.
The 8 iPD sound source modules work in associated pairs that are called
"Internal Lines,", or simply "lines". There are 4 internal lines - A, B, C
and D
The waveforms generated by both modules in any line can be used together in
three different ways. They can be mixed, or one of the waveforms can be
used to modulate the other for RING modulation or as the PHASE of a succeeding
line.
2
Instant Recall of up to 256 Sounds and 256 Operation Memories
64 presets give you a wide range of vocal versatility. And with the use of
a standard ROM card, the VZ-10M gives you incredible tonal expansion potential -
up to 128 patches and 128 keyboard setups are literally at your fingertips.
What's more, you can store up to 64 sounds and 64 operation memories on an
optional RAM card, for even greater freedom of timbral expression.
3
"Player-friendly" Menus and Functions
Virtually all of the VZ-10M's editing and programming operations are organized
into three basic sub-modes - Menu 1, Menu 2 and Menu 3 that feature a variety of
"functions." Each of these functions is further broken down into
"parameters," which are constants that have changeable values or settings.
To alter VZ-10M sounds or programming, you simply alter the value of these
parameters using a value slider or value keys.
4
Wide Backlit LCD Graphic Display
The VZ-10M's wide graphic LCD features a hierarchical, "player friendly" menu
structure, which allows speedy and accurate operations. Sound source
configuration, patch editing, multi-patch setup creation, output channel and
MIDI specifications - in fact, virtually all VZ-10M operations are controlled by
interacting with various functions that are found in the three VZ-10M menus.
And a number of VZ-10M functions feature "graphic editing" capabilities.
5
Combination Mode Provides Layered and Split Voicing
The VZ-10M's "Combination" mode lets you mix together up to 4 different patches
in any of 8 different patch mix or patch split configurations. You can set
effect and amp levels independently for each patch, and output them together
through the MIX OUT channel. Or output the 4 patches through the VZ-10M's
L/R LINE OUT channels.
6
Multi-Channel MIDI Performance
The VZ-10M features Casio's exclusive multi-channel mode which can accept up to
8 timbres from separate MIDI sound sources. These can then be divided into
constituent polyphonics and ensembled in any format you desire. Multi-timbral
MIDI expansion, monophonic MIDI performance, or total 16-note MIDI polyphony can
be selected.
7
Velocity Split & Positional Cross Fade
The VZ-10M puts powerful multi-voice performance in your hands, with advanced
features such as velocity split and positional cross fade. Set up
multi-layered voices with up to 3 split points, and "fade" the voices into one
another so there's no audible "split point" with the cross fade function, or
control multiple voices through keyboard velocity using velocity split.
8
Optional RAM Card (RA-500)
Choose an optional RA-500 RAM card for expanded sound storage and recall
capabilities. Each RAM card holds up to 64 VZ-10M patches and 64 VZ-10M
operation memories.
SYSTEM ALL INITIALIZE
To initialize all VZ-10M internal operation memory, voice and effect
data to factory preset values, hold down the WRITE key and turn VZ-10M power ON.
Respond to the YES? prompt by pressing the YES key. All internal data is
reset to its original state as listed on page 99.
Features at a glance | |
Year of release: | 198_ |
Polyphony: | 16-note |
Sound generation method: | Interactive Phase Distortion (i P.D.) |
Preset memories | 64 internal; 128 RAM card |
MIDI: | in, out, thru |
Sound expansion capabilities: | card (RC-100) |
Sequencer | no |
Arpeggiator | no |
Effects | no |
Touch sensitivity | yes |
Aftertouch | |
Multitimbrality | yes |
Sound Layering | yes - 8 independent modules (oscillators with DCO and DCA) |
Keyboard Split | yes |
Number of Oscillators | 8 |
Portamento | yes |
Unison | |
Miscellaneous | weight 5.6kg (12.4lbs) |
SITE | Type of resource | DESCRIPTION |